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crack_van2004-10-04 12:13 am
executrix.livejournal.com) wrote in crack_van2004-10-04 12:13 am
Silent Night by Hafren (PG-13)
Fandom:BLAKES7
Pairing:Blake/Avon
Author on LJ:![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
hafren
Author website: Hafren's Gloomy Patch, http://www.geocities.com/afon_hafren/
Why this must be read:
I hate angst, but I can never resist a new story by Hafren. So if you love angst, you can imagine what a must-read this is. It's Blake's reflections, in the second person, about the weeks-ago end of the fragile and unadmitted connection between Blake and Avon.
Although there's much fanon about the locked doors on the Liberator, and Vila's ability to elude them, Hafren must be right that the ex-prisoners on board would have had more than enough of locked doors. The thin line of light at the edge of the door is Hafren's organizing principle.
This is a night tale, and a Knight's Tale, of fealty given and withdrawn. Hafren often works with archetypal and fairy tale themes, and here she reverses a Chaucerian theme. instead of a happy ending, and a wife who was beautiful both by day and night, the fragile connection between Blake and Avon is severed by the collision between night and darkness/light and words: matter and antimatter.
Be sure to explore the rest of the site when you're there: it's a real Pat and Mike. There ain't much of it, but what there is is cherce.
Silent Night
Pairing:Blake/Avon
Author on LJ:
hafrenAuthor website: Hafren's Gloomy Patch, http://www.geocities.com/afon_hafren/
Why this must be read:
I hate angst, but I can never resist a new story by Hafren. So if you love angst, you can imagine what a must-read this is. It's Blake's reflections, in the second person, about the weeks-ago end of the fragile and unadmitted connection between Blake and Avon.
Although there's much fanon about the locked doors on the Liberator, and Vila's ability to elude them, Hafren must be right that the ex-prisoners on board would have had more than enough of locked doors. The thin line of light at the edge of the door is Hafren's organizing principle.
This is a night tale, and a Knight's Tale, of fealty given and withdrawn. Hafren often works with archetypal and fairy tale themes, and here she reverses a Chaucerian theme. instead of a happy ending, and a wife who was beautiful both by day and night, the fragile connection between Blake and Avon is severed by the collision between night and darkness/light and words: matter and antimatter.
Be sure to explore the rest of the site when you're there: it's a real Pat and Mike. There ain't much of it, but what there is is cherce.
Silent Night
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