Isis (isiscolo) (
isiscolo.livejournal.com) wrote in
crack_van2007-12-01 11:01 am
Entry tags:
Slings and Arrows: fandom overview
Introduction
Slings and Arrows is a Gemini-winning Canadian television series that ran for (and is complete in) three seasons, 2003-2006 (with a gap between first and second seasons).
Seven years ago, Geoffrey Tennant portrayed the most luminous Hamlet the New Burbage Theatre Festival had ever seen - then went mad. As the series begins, he is running a two-bit theatre on the verge of being evicted from its building for non-payment of its lease. After the sudden death of his estranged mentor Oliver Welles, Geoffrey returns to New Burbage to take over as artistic director - beginning with Oliver's planned new production of Hamlet. His task is complicated by the presence of Oliver's ghost, whose sniping from the sidelines is visible to Geoffrey alone; Ellen Fanshaw, the reigning diva (and Geoffrey's ex-girlfriend); Geoffrey's old nemesis Darren Nichols, who has been chosen, over Geoffrey's protests, as Hamlet's new director; and all the behind-the-scenes business problems of running a theatre company.
Each season comprises six episodes dealing with the production of a different classic. Season one is Hamlet, season two Macbeth, and season three King Lear - a metaphor for youth, middle age, and senescence. The plot arcs are nicely Shakespearean as well and subtly echo the themes of the plays. Rehearsals and performances of each play mix with the backstage drama among the characters; humour, drama, and tragedy mesh perfectly.
Geoffrey is played by the ridiculously attractive Paul Gross; his real-life wife Martha Burns plays Ellen, and their incredible chemistry as they squabble, argue, and sometimes have (implied) amazingly hot sex fuels the popularity of Geoffrey/Ellen in the fandom. Not that there isn't slash; Geoffrey/Darren and Geoffrey/Oliver are well represented, and as Oliver and Ellen slept together at some point in the past - one precipitating factor in Geoffrey's madness - the Geoffrey/Ellen/Oliver triangle gets some play as well. There is also quite a bit of gen fic.
The Slings and Arrows fandom is to some extent an outgrowth of the due South fandom, as Paul Gross played Constable Fraser in that show. Because of this, Slings and Arrows falls into the loose class of fandoms known collectively as "six degrees of Canada" (C6D): that is, series and movies with Paul Gross, Callum Keith Rennie, or any of their co-stars in other productions. Crossovers abound, mostly pairing Geoffrey with some CKR character from another show (echoing Fraser/Kowalski in due South).
The characters
The core company appears in all seasons, along with guest stars for each season who carry various subplots. As of this writing, there are few stories about the guest star characters from any but the first season. Screencaps are by
bjohan57 with the exception of the Anna cap, which is by
view_paradise.
Geoffrey Tennant (Paul Gross)
Geoffrey is passionate about the theatre and about Shakespeare. He is also, possibly, somewhat slightly mad. He inspires the actors, terrifies the bean-counters, irritates Ellen, and doesn't give a damn about what anybody thinks of him.
Ellen Fanshaw (Martha Burns)
Self-centered, high-strung, perpetually late for rehearsal. Sleeps with younger men to distract herself from the fact that she's getting older, but really loves Geoffrey - well, somewhere deep down, she does. If you take a drink every time she says, with perfect insincerity, "Sorry!" you will be hammered by the end of the episode.
Oliver Welles (Stephen Ouimette)
The late artistic director, Oliver is a washed-up old queen with an eye for the dramatic gesture. Alas, he knows his glory days are behind him - even leaving out the whole "being dead" thing.
Richard Smith-Jones (Mark McKinney)
The self-absorbed general manager. When it comes to the theatre, he knows the price of everything, but the value of nothing. One could say he has the soul of a bureaucrat, but that would assume he has a soul at all.
Anna Conroy (Susan Coyne)
Anna is the administrative manager and the show's moral backbone, not to mention its nicest person. She holds everything together in the face of disaster - as much as she can, anyway.
Darren Nichols (Don McKellar)
Flamboyant and pretentious, with really scary fashion sense, Darren's University-days friendship with Geoffrey ended with duelling on the quad.
Jack Crew (Luke Kirby) - season 1 plus 2.01
An American movie star who has been contracted to play Hamlet as his first live stage venture. Supposedly based on Keanu Reeves.
Kate McNab (Rachel McAdams) - season 1 plus 2.01
An apprentice with the New Burbage Festival who is understudy for the role of Ophelia and who falls in love with Jack.
Other characters who frequently appear as supporting characters in fic are Frank and Cyril, aging mainstays of the company who function pretty much exactly as Statler and Waldorf from The Muppet Show; Maria, the irascible stage manager; Nahum, the Nigerian janitor; Claire, the talentless and ditzy actor cast as Ophelia; and Sloan, Ellen's boytoy in S1.
The fandom
IMDB page
All three seasons are available on DVD.
A comprehensive index of fandom-related links is maintained by
isiscolo and
the_acrobat at http://del.icio.us/slingsandarrowslinks. This page links all known fanfiction, fanvideos, and other fan-created resources on the web. A few individual resources are broken out here:
melancholydanes is the lj community for Slings and Arrows. Announcements for S&A-related fanworks and events are also on topic at the due South announcement community
ds_noticeboard.
bjohan57 has created illustrated recaps of the first season episodes plus 2.01 which are linked here.
sdwolfpup is organizing fan-created transcripts here.
And finally, from the season one theme song:
Your incessant monologizing fills the castle with ennui
Your antic disposition is embarrassing to see
And by, the way you sulky brat, the answer is to be
You're driving poor Ophelia insane --
So shut up (you rogue and peasant)
Grow up (it's most unpleasant)
Cheer up, you melancholy Dane!
Slings and Arrows is a Gemini-winning Canadian television series that ran for (and is complete in) three seasons, 2003-2006 (with a gap between first and second seasons).
Seven years ago, Geoffrey Tennant portrayed the most luminous Hamlet the New Burbage Theatre Festival had ever seen - then went mad. As the series begins, he is running a two-bit theatre on the verge of being evicted from its building for non-payment of its lease. After the sudden death of his estranged mentor Oliver Welles, Geoffrey returns to New Burbage to take over as artistic director - beginning with Oliver's planned new production of Hamlet. His task is complicated by the presence of Oliver's ghost, whose sniping from the sidelines is visible to Geoffrey alone; Ellen Fanshaw, the reigning diva (and Geoffrey's ex-girlfriend); Geoffrey's old nemesis Darren Nichols, who has been chosen, over Geoffrey's protests, as Hamlet's new director; and all the behind-the-scenes business problems of running a theatre company.
Each season comprises six episodes dealing with the production of a different classic. Season one is Hamlet, season two Macbeth, and season three King Lear - a metaphor for youth, middle age, and senescence. The plot arcs are nicely Shakespearean as well and subtly echo the themes of the plays. Rehearsals and performances of each play mix with the backstage drama among the characters; humour, drama, and tragedy mesh perfectly.
Geoffrey is played by the ridiculously attractive Paul Gross; his real-life wife Martha Burns plays Ellen, and their incredible chemistry as they squabble, argue, and sometimes have (implied) amazingly hot sex fuels the popularity of Geoffrey/Ellen in the fandom. Not that there isn't slash; Geoffrey/Darren and Geoffrey/Oliver are well represented, and as Oliver and Ellen slept together at some point in the past - one precipitating factor in Geoffrey's madness - the Geoffrey/Ellen/Oliver triangle gets some play as well. There is also quite a bit of gen fic.
The Slings and Arrows fandom is to some extent an outgrowth of the due South fandom, as Paul Gross played Constable Fraser in that show. Because of this, Slings and Arrows falls into the loose class of fandoms known collectively as "six degrees of Canada" (C6D): that is, series and movies with Paul Gross, Callum Keith Rennie, or any of their co-stars in other productions. Crossovers abound, mostly pairing Geoffrey with some CKR character from another show (echoing Fraser/Kowalski in due South).
The characters
The core company appears in all seasons, along with guest stars for each season who carry various subplots. As of this writing, there are few stories about the guest star characters from any but the first season. Screencaps are by
Geoffrey is passionate about the theatre and about Shakespeare. He is also, possibly, somewhat slightly mad. He inspires the actors, terrifies the bean-counters, irritates Ellen, and doesn't give a damn about what anybody thinks of him.
Self-centered, high-strung, perpetually late for rehearsal. Sleeps with younger men to distract herself from the fact that she's getting older, but really loves Geoffrey - well, somewhere deep down, she does. If you take a drink every time she says, with perfect insincerity, "Sorry!" you will be hammered by the end of the episode.
The late artistic director, Oliver is a washed-up old queen with an eye for the dramatic gesture. Alas, he knows his glory days are behind him - even leaving out the whole "being dead" thing.
The self-absorbed general manager. When it comes to the theatre, he knows the price of everything, but the value of nothing. One could say he has the soul of a bureaucrat, but that would assume he has a soul at all.
Anna is the administrative manager and the show's moral backbone, not to mention its nicest person. She holds everything together in the face of disaster - as much as she can, anyway.
Flamboyant and pretentious, with really scary fashion sense, Darren's University-days friendship with Geoffrey ended with duelling on the quad.
An American movie star who has been contracted to play Hamlet as his first live stage venture. Supposedly based on Keanu Reeves.
An apprentice with the New Burbage Festival who is understudy for the role of Ophelia and who falls in love with Jack.
Other characters who frequently appear as supporting characters in fic are Frank and Cyril, aging mainstays of the company who function pretty much exactly as Statler and Waldorf from The Muppet Show; Maria, the irascible stage manager; Nahum, the Nigerian janitor; Claire, the talentless and ditzy actor cast as Ophelia; and Sloan, Ellen's boytoy in S1.
The fandom
IMDB page
All three seasons are available on DVD.
A comprehensive index of fandom-related links is maintained by
And finally, from the season one theme song:
Your incessant monologizing fills the castle with ennui
Your antic disposition is embarrassing to see
And by, the way you sulky brat, the answer is to be
You're driving poor Ophelia insane --
So shut up (you rogue and peasant)
Grow up (it's most unpleasant)
Cheer up, you melancholy Dane!

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I just finished watching the dvds last week. Being American, I had to get them from the library (and I am still surprised they had them) and did not know the show completed it's run with season three, so the final episode really threw me. Here, I though season 4 would be all about how they put everything back together. Drats!
I am curious what kind of fanfic is out there. I had an idea for a story, but then saw the final episode and that shot my idea all to hell. I'll have to think of a way around the canon roadblock.
If you don;t already have you rec list set, may I suggest a few gen fics. I really hate romances. Shockingly few are done realistically or well - in any fandom.
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I just finished watching all 3 season and wow, from once being involved in theatre i felt for each character and their nuttiness. its great to see Canada represented in a show, everything from street names, to revenue Canada.. just great!!!
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I shamefacedly admit that I am from south of the border, but I fangirl Canada every chance I get.
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I was just rewatching a few of the episodes - Anna really is truly wonderful but there was so much i would have liked to see her say to Richard when he was going through his "reinventing phase"
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I'm verbose that way. *g*
And this is also a good kick to get those transcripts up and running again. We've still got a bunch outstanding, including my second one.
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Looking forward to your recs!
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And of course everybody adores Paul Gross!
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Slings & Arrows fandom overview
I love this series, and am tickled by how many Europeans I've met online that instantly equate Canada with Slings & Arrows. Over-educated and insane, yes that describes most Canadians I know. :-)
Re: Slings & Arrows fandom overview
And you must see S3. It's an astonishingly fitting end to the series, although I warn you, the first time I saw the final episode I cried nonstop during the whole thing. The second time I managed to wait until the last twenty minutes to start crying. It's fabulous and heart-tugging.
Re: Slings & Arrows fandom overview
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The way I've always pimped its is by using the "Paul Gross is pretty even for him" hook, thereby sucking people in who forget all about why they showed up in the first place, because the whole show is ridiculously good. And, y'know, Paul is pretty even for him.
I second the motion about watching the show as well as reading the fic. This is a show that in essence doesn't need fic, it's that tight and well-done, but then, we don't need chocolate chip scones, either, but the world would be a lesser place without them. The fic for this series is usually almost on par with the show itself in quality.
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So it is nice to know that what is out there is evidently worth reading. Maybe I will try it.
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But I would say that lots of the fic is worth reading, and a few stories are just so luminously right that they make the experience of the show even better.
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I agree, the show doesn't need fic (and in fact, I feel no great desire to write fic for it - what I've done has been for challenges or for weird ideas of mine) but when it works, it's fantastic. I think it's just such a marvelous universe that we can't resist wanting to be part of it for a little longer.
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I'm...really curious as to what the fic is like in this fandom, but more for weird personal reasons than anything else. I'm an actor/writer (finishing my last year of theatre school), my mom was an actress who know works behind the scenes at the National Ballet, and my dad is, erm, an Important Theatre Figure on whom one S&A character is based. We lived in Stratford during the summers for years when I was growing up. My first acting role? Was playing baby!Queen Elizabeth in Henry VIII when I was a toddler. My performance professor gets named dropped in the first episode.
It's my life on TV, yo. So now I really want to see what the fic is like!
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(Although if he's Darren, you are forgiven for your reticence. :-)
Ahem. I think certain stories will resonate with you more than others. You might particularly get a kick out of the single Claire-centric ficlet - you can search on character tags on the delicious page. There will be a Kate-centric rec later this week that you might like as well.
In general, the fanfiction tends to be more imagery-heavy and vignette-y, not so plotty (which means that I'm going to be misrepresenting the fandom, because I'm a plot-oriented reader). There's a lot of really well-written stuff that just doesn't appeal to me personally, and there really aren't that many stories in the fandom, so I encourage you to poke around - for example, I will be sticking to one rec per author, so if you like a story, read his or her other works.
I think S&A fandom has a large percentage of theatre geeks. I've been involved in our local community theatre forever, including two Shakespeare productions (one of which I was in, the other I was assistant director for) and I grew up in the Washington DC area with parents who had subscriptions to the Folger Shakespeare Theatre. (And in fact I just sent my parents the DVD set as a birthday present!) So you are in good company, here!
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PapaOpalEmber is the partial basis for Basil, the theatre critic. Thank god it's only partial...
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That is to say How can someone not love Slings and Arrows? It's pretty and has brilliant lines and, you know, an actual thinky plot.
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And yes! S&A = AWESOME. Everyone must love it!
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So yes, a show about theatre is eating my brain and my time when I need my brain and my time to...do theatre. The paperwork for my lighting design project is mocking me, I need to choose and prepare a Shakespeare monologue to perform for Monday, and I have to figure out a way to make a stack of books bleed all over the stage (and then be washed out! During intermission!) for a production of an obscure Schiller play that is being directed by...Bertolt Brecht's granddaughter.
Shmeh. At least my "Five Plays Darren Nichols May or May Not Have Directed" story-in-progress will make an excellent Secret Santa present for my friend Alex.
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I would so read that! And don't forget to drop me a link when it's posted, so I can add it to the delicious list.
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